黑魔女:沉睡魔咒 13件最黑心的象徵
你的女朋友也一樣黑心嗎?
#13. 黑魔女的支配慾超強
#12. 黑魔女總是以"噓...噓"跟小嬰兒說話
#11. 黑魔女最好的朋友是烏鴉
#10. 黑魔女是孤兒
#9. 黑魔女講話總是跟詩人一樣
#8. 黑魔女愛上了不該愛的男人
#7. 愛讓黑魔女脆弱
#6. 因此黑魔女不相信真愛的吻
#5. 黑魔女想要復仇
#4. 黑魔女痛恨自己與眾不同
#3. 黑魔女的利牙寒光四射
#2. 黑魔女的牛角侵略性十足
#1. 黑魔女的翅膀是黑色的天使翅膀
#7. Love made her vulnerable.
The Cure has had a long, successful career writing songs about the myriad ways love makes us vulnerable. Robert Smith's heartfelt lyric, "Oh I miss the kiss of treachery," could almost be Maleficent's own thoughts as she processes both her longing and her betrayal.
#6. So she doesn't believe in "True Love's Kiss."
After being maimed by the one who once offered her the gift of "True Love's Kiss," Maleficent mocks Stefan's empty words as she curses his daughter, decreeing that only "True Love's Kiss" will awaken Aurora after she falls into her sleep. She only left in the loophole because she doesn't believe "True Love's Kiss" exists. As Trent Reznor might say, "Gray would be the color if I had a heart."
#5. She wants revenge.
Which is literally the name of a band that brazenly borrows and steals from goth heroes Joy Division and New Order.
#4. She's hated for being different.
When the human King first wages war on the world of the fairies, it's never explained why. He simply feels threatened by creatures different from himself. Anyone who's ever walked around in full goth regalia knows exactly what it's like for people to automatically dislike you because you look different. Obviously wearing liquid eyeliner and teasing your hair is a little different than having wings and horns, but Maleficent certainly casts its title character's other-ness as a meaningful metaphor.
#3. Her teeth.
The envy of Fairuza Balk and Dracula both.
#2. Her horns.
The envy of Tim Curry in Legend.
#1. Her wings.
The most goth thing about Maleficent is those big, beautiful, black wings — even when she doesn't have them. Stefan renders Maleficent a fallen angel when he steals her wings. It's a powerful allusion to that most gothic of figures, Lucifer, whose fall as depicted in John Milton's Paradise Lost spawned the Satanic School of the Romantic poetry movement in the early 19th century. This school of poetry brought us the likes of Mary Shelley, who would write the gothic touchstone Frankenstein, and Lord Byron, for whom the term "Byronic Hero" was coined. Byronic Heroes are basically the most goth characters in 19th century literature, and Maleficent herself comes close to fitting the mold.
And when she gets them back? Even more powerful. The final image in the movie is Maleficent swirling through the clouds, and breaking through them, wings outspread in silhouette, a cinematic Dark Angel made real.
沒有留言:
張貼留言